About

Color as language

Genziana Pompei smiling behind the counter of her studio, in front of a yellow wall covered with her painted portraits
The beginnings

At school, to say that a color was particularly bright, they said it was “genzianico” (“gentian-like”): my bond with color was already evident back then. I came to Tuscany as a girl, from Abruzzo, with a suitcase full of literature and philosophy. San Gimignano became my home, and I chose to stay.

Painting “Il mio Gran Sasso”: a snow-capped mountain above a blue river running down between green meadows
Painting “Pomeriggio d’estate”: San Gimignano and its towers among green hills, vineyards and cypresses, under a blue sky
The working years

For many years I devoted my energy to other things as well: restaurants to run, four children to raise, days that left little room for brushes. But I never abandoned art: it was in the images I carried in my head, in the houses I transformed, in the restaurants I opened, in the walls I painted between one service and the next, in the artworks I made for others.

Genziana Pompei in a long red velvet dress next to a large painting of a woman in a red kimono with a green parasol
Genziana Pompei sitting on a kitchen floor, painting the tiles with a thin brush, next to a mural of grasses
A corner of the Aida Pop atelier: a wall painted with fields and trees under a blue sky, paintings on the walls, a spotted sofa and a desk
The light

For years I chaired the Lumière festival, and there I understood something else about myself. With light alone, and its absence, the look of a city could be changed: for one night San Gimignano stepped out of time and became pure atmosphere, as I had imagined it. Conceiving and creating that festival was my way of saying, without words, that color and shadow were my language.

Genziana Pompei in the streets of San Gimignano with a megaphone, during the Lumière festival
Lumière: the towers of San Gimignano lit at night by a beam of blue light
Lumière: a San Gimignano facade covered by projected white and red drawings
Lumière: the square with transparent sculptures and projections on the facades
Lumière: a San Gimignano tower crossed by green and violet laser beams
When I use a lot of color, often in several layers, it is to give body to a presence in the matter.
Color

I paint from what I feel; if you try to classify the result, expressionism and surrealism come to mind, without any label being enough. In my canvases landscapes, animals, faces and women’s bodies return, presences with a strength of their own. I use dense, vivid, layered colors: they do not decorate the surface, they inhabit it.

Beyond the canvas

I do not work only on canvas: I paint walls, floors, furniture. I make upholstery for armchairs, curtains and cushions, and combine fabrics with the same freedom with which I choose colors. For me, every space can become a work of art to live in.

Genziana Pompei seated on an armchair, chin resting on a hand, between two other armchairs upholstered in a patchwork of colorful fabrics, in front of a mural of fields and beneath the painting of a figure walking through a flowering meadow
Detail of an art armchair: dark fabric with a bird with yellow wings, pink flowers and red berries
Detail of an art armchair: pink, blue and gold paisley fabric
Detail of an art armchair: raised floral fabric in blue, black and gold
Genziana Pompei in her studio, painting a red sky on a large canvas with a brush, her palette beside her

I have changed paths more than once, and on every path color has been the common thread. Every painting you find here is a piece of that journey.

“Che ci faccio qui?”: a dark rabbit with a red eye, standing in a field of greens, yellows and blues
The rabbit

The rabbit is my signature

It was born by chance and since then it reappears in several artworks, each time in a different colorful outfit and in new situations. I use it to give a face to my moods.

Sometimes it is a warning, sometimes a sentinel, sometimes an ironic presence.

Look for the rabbit in the paintings

Genziana Pompei

Original paintings, fine art prints and art furniture, from the studio in Colle di Val d’Elsa.